Forty-five summers ago, American popular culture got split in half. Notions of entertainment and personal behavior were turned on their heads. Where audiences had once valued class, they now reveled in the joyously crass. All to a chorus of taglines that are instantly recognizable to everyone who was there and plenty of people who weren’t.
I was on campus when ‘Animal House’ debuted. It changed everything.
National Lampoon’s 1978 college comedy bred an era of excess, sometimes disguised as conservatism
Perspective by Ty Burr